Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Pierre-Auguste Renoir
Jules le Caur et ses chiens dans la foret de Fontainebleau

ID: 84393

Pierre-Auguste Renoir Jules le Caur et ses chiens dans la foret de Fontainebleau
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Pierre-Auguste Renoir Jules le Caur et ses chiens dans la foret de Fontainebleau


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Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | The Serenade | Seine bei Argenteuil | Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir | Children at the Beach at Guernsey, | Bather with Long Blonde Hair (mk09) |
Related Artists:
GIAMPIETRINO
Italian Painter, known ca.1500-1540
Paul Desire Trouillebert
1829-1900
FONTANA, Lavinia
Italian Painter, 1552-1614 Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs






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